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READINGS: Film Noir: An Introduction by Mark Bould VIEWINGS: Double Indemnity (1944), Detour (1945), Sunset Boulevard (1950), Vertigo (1958) We’re back baby! This go-round we’re looking at Film Noir. The reading in this case actually helped me understand why the idea of Film Noir had always been somewhat elusive to me. Mark Bould proposes that,
Loosely Scripted 